b. 1966 Minneapolis, MN
Lives and works in Brooklyn, NY
Education
2021 MFA Art Writing, School of Visual Arts, New York, NY
1999 Skowhegan School of Painting and Sculpture, Skowhegan, Maine
1989 BA, Anthropology and Comparative Religion, Barnard College, New York, NY, Cum Laude
One- and Two-person exhibitions
2017
Reserve Ames, Los Angeles, CA
2015
with Gedi Sibony, Reserve Ames, Los Angeles CA
with Teresa Baker, Kiria Koula, San Francisco, CA
with Thomas Kovachevich, Callicoon Fine Arts, New York, NY
2009
Greene Naftali Gallery, project room, New York, NY
2001
Kent Gallery, New York, NY
1997
First New York Gallery, New York, NY
Group exhibitions
2018
Spine, Ortega y Gasset Projects, Brooklyn, NY, Curated by Suzanne McClelland and Leeza Meskin
Double Feature:Dopelganger, Diet Laboratories, Brooklyn, NY
2017
Post-Election, September Gallery, Hudson, NY
2016
Non Atomic, 215 Orleans, Beaumont, TX, curated by Jenny Monick and Dana Frankfort
2012
Simpatico, Boston University Art Gallery, Boston, MA, curated by Kate McNamara
2011
Affinities: Painting in Abstraction, D’Amelio Terras Gallery, New York, NY, Curated by Kate McNamara
2009
My Summer Show, Gallery Lelong, New York, NY
Under Pressure, Art:Concept, Paris, France
2006
Air, Monya Rowe Gallery, New York, NY, curated by Amy Sillman
2005
New York’s Finest, Canada, New York, NY
2001
Paper, The Aldrich Museum, Ridgefield, CT
Endless Summer, Kent Gallery, NY
1999
From Head to Toe: Traces of the Body, University Gallery, U Mass, Amherst, MA
1998
Selections ’98, The Drawing Center, New York, NY
Time to Kill, The Pineapple, Malmo, Sweden
1997
Blind Faith, White Columns, New York, NY
Art on Paper, Weatherspoon Art Gallery, Greensboro, NC
Is There Still Life? Kent Gallery, New York, NY
Press and publications
Liberty, Megan, "Spine" The Brooklyn Rail, December 11th, 2018
Spine, with contributions by Monica de la Torre, Wayne Koestenbaum, and Jennifer Nelson, Space Sisters Press, 2018
Berrio, Juana, "Margins" Open Space, SF MoMA, July 18th, 2017
Lutz, Leora, "Teresa Baker & Jenny Monick" Art Practical, April 15, 2015
Hotchkiss, Sarah, "Frames, Felt, and Speculative Fiction" KQED Arts, March 17, 2015
Vergne, Philippe, "Roving Eye: Opening and Closing Words for Summer" Art in America.com, September 9th, 2011
Johnson, Ken "Air" The New York Times, July 7th, 2006
Goodbody, Bridget "Air" Time Out, July 6, 2006
Johnson, Ken "Jennifer Monick" Art Guide, The New York Times, October 12, 2001
Princenthal, Nancy "Paper: The Aldrich Museum of Art" Art on Paper, July/August, 2001
Zimmer, William "On Paper, a Show that Measures Up" The New York Times, March 18, 2001
Streitfeld, L. P. "Transformations at the Aldrich" The Advocate and Greenwich Times, Feb. 11, 2001
Harkavy and Mathews-Berenson, From Head to Toe: Traces of the Body, UMass Press, Amherst, 1999
Smith, Roberta, "Jennifer Monick" The New York Times , January 16, 1998
Cotter, Holland "Blind Faith" The New York Times , January 9, 1998
Cotter, Holland "Is There Still Life?" The New York Times, September 19, 1998
Murdock, Robert "Is There STILL LIFE?" Review, November, 1997
Writing, artist books, and other projects
2019-present - Board President, Cape Cod Modern House Trust, Wellfleet, MA.
2021
Feverdust Kosmonautics, essay published in conjunction with the exhibition Rosy Keyer: ARP 273, Parrasch Heijnen Gallery, Los Angeles, CA.
2020
Spiral, limited edition artist book, published by RITE Editions, San Francisco
“Abitacolo” in Bruno Munari, Obvious Code. The Serving Library Annual 2019/20, published on the occasion of the first English translation of Munari’s Codice Ovvio. Francesca Bertolotti-Bailey, Stuart Bertolotti-Bailey, Vincenzo Latronico, David Reinfurt, editors.
Curator, Cape Cod Modern House Trust fall Artist/Scholar residency, Wellfleet, MA
2019
masculine de la femme interview, Los Angeles, CA
2016
"Bucket #1," The Red One, in Nicole Cherubini: the love tapes, a retrospective, essay for exhibition catalogue, Retrospective Gallery, Hudson, NY
2012
"How Deep is Your," essay, in Julainne Swartz: How Deep is Your
2008
A Tactile Workshop, inspired by Bruno Munari's Tactile Workshops, commisioned by The Steins, New York, on the occaision of Bruno Munari and Remy Charlip, curated by Larissa Harris and Anthony Huberman
2000-2005
Curator - Center for Arts Education’s 180 Maiden Lane Gallery, New York, dedicated to exhibiting children’s artwork produced through the Center’s public school arts programming.
Teaching
2016-2021
Visiting Artist MFA SUNY Purchase, Adjunct faculty NYU Steinhardt—MFA Fine Arts program, Visiting Artist, Hunter College Kossack Painting Program, Visiting Artist, California State University, Northridge
2000-05
Teaching Artist, Faculty Mentor—Studio in a School, early childhood arts education program, New York City